Black metal anti-traditionalists ORANSSI PAZUZU have unleashed their new album “Mestarin kynsi” (“The Master’s Claw”).
On their fifth album (and first for Nuclear Blast) the band subverts the idea of world domination to open a conceptual discourse on indoctrination and propaganda itself. Their psychological nightmare evolves a philosophical and earnest tone, where occult future meets troubled reality.
The band states: “We poured all of our focus and knowledge to this nightmare vision. Hoping it will immerse your mind. Let the Master guide you to the endless white light!”
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To mark the occasion, the band releases a video where they contemplate on the themes of “Mestarin kynsi”.
As “Oranssi”, meaning “orange” in their native Finnish language, is the colour of cosmic energy and “Pazuzu” is the ancient Mesopotamian demon of the wind, their swirling kaleidoscope of psychedelia has blown through the underground to redefine boundaries ever since their inception in 2007.
Jun-His: “We definitely wanted to look for new horizons, but on the other hand continue something we began building already on “Värähtelijä”. Some big influences were electro albums that inspired an idea about having a song that would travel through different kinds of portals whilst being mutilated and mutated by the new environment.”
On “Mestarin Kynsi” the doors of perception are not only evoked but off their hinges. Working again with their co-producer Julius Mauranen, who also helped craft their acclaimed 2018 Roadburn Festival commissioned, WASTE OF SPACE ORCHESTRA collaboration live show/album “Syntheosis”, in their home-city of Tampere, Finland, the familiarity served a greater purpose towards the evolution of the album. As singer/guitarist Jun-His puts it, “there is a city heart pumping on this album somewhere”.